Independent reviews, artist profiles, and critical essays on contemporary art — written without fear or favour.
Explore StoriesKontemporary is an independent art review platform dedicated to serious, accessible criticism across painting, sculpture, photography, installation, and performance. We believe great art writing opens works rather than closes them — sharpening the eye, deepening the encounter, and placing practice inside the broader cultural conversation it belongs to.
Timely, considered reviews of gallery and museum shows — written by critics who stand in front of the work, not behind a press release. We cover major institutions and overlooked independents equally.
Long-form encounters with working artists — in their studios, across their bodies of work, and through the questions that drive their practice. We prioritise depth over access.
Image-led features that use photography, archival material, and editorial design as critical tools — not illustration. The work speaks; the text listens.
Longer-form thinking on movements, markets, theory, and the contested histories that shape what art means today. Opinion with an argument — not a take.
On-the-ground coverage from Art Basel, Frieze, Venice, and beyond — filtering signal from noise so readers understand what actually matters on the fair floor.
Honest, practical guidance for new and experienced collectors — free of gallery influence, written by critics who buy art themselves and understand what the relationship really costs.
Who We Are
Kontemporary was founded by a group of critics, curators, and artists who felt that art writing had drifted too far from its purpose — too deferential to galleries, too enamoured with the market, too reluctant to say what it actually thinks.
We publish criticism that takes the work seriously — its materials, its context, its place in art history, and its relationship to the world outside the gallery walls. We are independent of commercial galleries, auction houses, and collector interests.
Editor & Lead Critic
Specialises in contemporary African and diasporic art. Former curator at the Serpentine and contributing critic at Artforum.
Photography & New Media Critic
Writes on lens-based practice, post-internet art, and digital materiality. Lecturer in Visual Cultures at Goldsmiths.
Sculpture & Installation Critic
Trained sculptor turned critic. Covers large-scale installation and public art with a rigorous material focus. Based in Mexico City.
Painting & Drawing Critic
Art historian and critic specialising in postwar and contemporary painting. Author of two monographs and a forthcoming study on colour.
"Good criticism doesn't tell you what to think —— Kontemporary Editorial Board
it gives you something worth thinking about."